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50 artists    +    Sandra Moore  +    Daniel Phillips and Jorg Olivera in the silos

Earthly Delights

upstairs

 

This Happened

downstairs

 

at the Re Institute

July 20th to August 24th

Opening July 20th, 4pm to 7pm

Followed by a potluck  


Upstairs:

Earthly Delights curated by Susan Jennings, Ellen Letcher and Julie Torres will present artwork of vastly varying sizes and media from 50 artists. The works will be installed directly on the gallery floor— without supports, pedestals, or work on the walls— to create an intimate and tantalizing installation without the hierarchy of placement. By exhibiting artwork on a level playing field, the curators hope to enable a grounding experience of attentive and active looking. Please join us for a stroll through this labyrinthian garden of work at equal footing.

List of artist upstairs:

Adrian Meraz, Alexander Ross, Ashley Yang-Thompson/Miss Expanding Universe, Becca Van K,Carl D’Alvia, Christina Tenaglia, Claire Sherwood, Claudia Tienan, Colin O’Con, Courtney Puckett,Courtney Tramposh ,Dan Devine,Daniella Dooling, Elisa Lendvay, Elisa Soliven, George Spencer, Gelah Penn, Guy Walker, Jeff Starr, Jess Gaddis, Joan Grubin, Katharine Umsted, KK Kozik, Laura Kaufman, Leah Guadagnoli, Linda Stillman, Madison LaVallee, Matt Frieburghaus, Meg Lipke, Michael Tong, Michelle Segre, Millicent Young, Monique Luchetti, Nicole Cherubini, Nikako Kanamoto, Nurya Chana, Stuart Farmery, Stephen Maine, Susan Meyer, Susan Scott, Tamara Zahaykevich, Terri Moore, Will Simons


 

 

Christina Tenaglia

Untitled

2018

wood, porcelain, paint, ink, nails, screws,

 

 

 

12x13x7

 

 

 

 

Leah Guadagnoli

None of Your Bismol

2016

 

oil, acrylic, pumice, found fabric, canvas, insulation board, and polyurethane foam on archival coroplast

 

 

 

 

 

 

36 x 45 x 5 inches


 

 

 

Susan Still Scott
Triumph of Geometry
2014
oil.acrylic.canvas.
thread.wire
11x9x13inches

Downstairs:

This Happened is a storyboard of 7 tableaux paintings, a reflection on brutalities perpetrated by whites on people of color in the last 5 centuries. The artist (who is white) acknowledges “there is a lot of homework to do, which is ongoing; Facing American racial history for me has started the untangling of a Gordian Knot.” Not polemical, literal or historical in intent, the artwork is an attempt to respectfully join and further the conversation in art about race.

 

 

 

Sandra Moore

#3

 

 

Plus two long term installation by Daniel Phillips and Jorg Olivera in the silos.