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Richard Baim Peter Fulop Hong Hong Brigitta Varadi
August 31st to September 28th
Plus a long term installation by
Daniel Phillips and Jorge Oliveira
Opening August 31st 4pm to 7pm
Followed by a potluck
post potluck at 8:30 the projection of
TURN OF THE CENTURY (TOTC)
The Re Institute is pleased to present work by Richard Baim, Peter Fulop, Hong Hong, Brigitta Varadi. The show is an embrace of the tactile: wool, paper, plaster or slide projected image. The connection between the artist and the materials that they work with often produces dynamic results. Often it’s as simple as acknowledging gravity…or showing time / history.
Brief statement from each artist:
Richard Baim I began working with 35mm slide projection in
1975. Since then I have worked with projected still imagery
to create narratives – sometimes complex and deep, other
times humorous, and/or nefarious and dark. TURN OF THE
CENTURY (TOTC) was the culmination of many years of learning
the technique of computer-programmed slideshows using
multiple projectors (6 slide projectors originally). It was
first shown in 1989 at Los Angeles’ MoCA, then in 1991 at
San Francisco’s MoMA, and lastly, 1992, in a solo exhibition
at The Hood Museum at Dartmouth College. I am excited to
bring this work up-to-date and exhibit it in a new, digital
format, and specifically in this venue where I’ve previously
shown some of my latest photographic print work. This
current presentation represents a deep dive into the digital
aspect of multi-image artwork. This digital version of TOTC
religiously adheres to the visual character of the original
35mm slide composition, and purposefully employs no effects
not found in that projected piece.
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Richard Baim
TOTC #014
1989
Projected
96x192 | |
Peter Fulop
My work explores the perception of reality as it changes by the momentary experience. In this new site-specific body of work, using unfired local clay/adobe the work emerges from a process of conversation or exchange of energy with the medium while seeking to exploit the elemental process of material intertwined with the use of gestural actions 2
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PeterFulop
Nobu
2016
Clay, Glaze
6" to 13" |
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Hong Hong In De Anima, Aristotle compares the soul to wax, as a material capable of holding the imprints of all that we experience. Paper does something similar, and papermakers refer to this quality as paper’s memory. Like skin or the ridge of a mountain, paper remembers the way it was born and what happens to it while it lives. Even in death, it stands as a testament to its demise. The qualities which compel me to make paper are ones that seem to be the most fundamentally human. 2 |
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Hong Hong
Composition for Holding the Whole
2015 to Present
Kozo water dusts unpollen fiber reactive dyes repurposed paper
156" x192" |
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Brigitta Varadi
Through my work, I explore pattern and repetition of gesture that relate to the invisible, everyday rituals of working life. Research and the intersection between art and cultural heritage play a key role in my creative process with finished work often integrating experimentation and new techniques. I examine disappearing traditions and daily activities of small, secluded communities around the world 2
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Brigitta Varadi
Niko and Bart
2016 & 2017
Icelandic sheep wool, merino wool, silk gauze
63" x 63" |
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